1 00:00:02,770 --> 00:00:04,672 Carla: HEY. CHEERS IS FILMED BEFORE A LIVE STUDIO AUDIENCE. 2 00:00:04,672 --> 00:00:07,575 REMEMBER WHEN I SAID YOU ARE THE NUTTIEST, 3 00:00:07,575 --> 00:00:08,942 THE STUPIDEST, 4 00:00:08,942 --> 00:00:11,345 THE PHONIEST FRUITCAKE I EVER MET! 5 00:00:11,345 --> 00:00:14,548 YOU, SAM MALONE, ARE THE MOST ARROGANT, SELF-CENTERED-- 6 00:00:14,548 --> 00:00:15,949 SHUT YOUR FAT MOUTH. 7 00:00:15,949 --> 00:00:17,818 MAKE ME. 8 00:00:17,818 --> 00:00:18,819 MAKE YOU? 9 00:00:18,819 --> 00:00:19,853 I'M GOING TO BOUNCE YOU 10 00:00:19,853 --> 00:00:22,390 OFF EVERY WALL IN THIS OFFICE! 11 00:00:22,390 --> 00:00:25,526 TRY IT AND YOU'LL BE WALKING FUNNY TOMORROW. 12 00:00:27,795 --> 00:00:29,797 OR SHOULD I SAY FUNNIER? 13 00:00:29,797 --> 00:00:31,299 YOU KNOW-- 14 00:00:31,299 --> 00:00:33,801 YOU KNOW, I ALWAYS WANTED TO POP YOU ONE. 15 00:00:33,801 --> 00:00:35,803 MAYBE THIS IS MY LUCKY DAY. 16 00:00:35,803 --> 00:00:38,139 YOU DISGUST ME. I HATE YOU. 17 00:00:38,139 --> 00:00:39,140 ARE YOU AS TURNED ON AS I AM? 18 00:00:39,140 --> 00:00:41,142 MORE. BET ME. 19 00:00:48,182 --> 00:00:51,085 IT SURE GOT QUIET IN THERE ALL OF A SUDDEN. 20 00:00:51,085 --> 00:00:53,821 YOU DON'T THINK HE KILLED HER? 21 00:00:53,821 --> 00:00:58,159 NAH. EVEN IN DEATH SHE WOULDN'T BE THAT QUIET. 22 00:00:58,159 --> 00:00:59,193 WHAT DO YOU THINK THEY'RE DOING IN THERE 23 00:00:59,193 --> 00:01:01,061 IF THEY'RE NOT FIGHTING? 24 00:01:08,602 --> 00:01:11,172 * MAKING THE WAY IN THE WORLD TODAY * 25 00:01:11,172 --> 00:01:14,175 * TAKES EVERYTHING YOU'VE GOT * 26 00:01:14,175 --> 00:01:16,810 * TAKING A BREAK FROM ALL YOUR WORRIES * 27 00:01:16,810 --> 00:01:19,680 * SURE WOULD HELP A LOT * 28 00:01:19,680 --> 00:01:23,251 * WOULDN'T YOU LIKE TO GET AWAY * 29 00:01:26,187 --> 00:01:27,755 * SOMETIMES YOU WANT TO GO * 30 00:01:27,755 --> 00:01:31,592 * WHERE EVERYBODY KNOWS YOUR NAME * 31 00:01:33,394 --> 00:01:36,797 * AND THEY'RE ALWAYS GLAD YOU CAME * 32 00:01:38,199 --> 00:01:40,468 * YOU WANT TO BE WHERE YOU CAN SEE * 33 00:01:40,468 --> 00:01:43,103 * OUR TROUBLES ARE ALL THE SAME * 34 00:01:43,103 --> 00:01:44,338 * YOU WANT TO BE * 35 00:01:44,338 --> 00:01:48,409 * WHERE EVERYBODY KNOWS YOUR NAME * 36 00:01:48,409 --> 00:01:51,044 * YOU WANT TO GO WHERE PEOPLE KNOW * 37 00:01:51,044 --> 00:01:53,514 * PEOPLE ARE ALL THE SAME * 38 00:01:53,514 --> 00:01:57,618 * YOU WANT TO GO WHERE EVERYBODY KNOWS YOUR NAME * 39 00:02:19,072 --> 00:02:21,642 WELL, ISN'T IT NICE THAT FOR ONCE WE'RE NOT FIGHTING? 40 00:02:21,642 --> 00:02:24,212 OH, YES. OH, YES. 41 00:02:30,818 --> 00:02:33,221 LET'S GO SOMEPLACE, 42 00:02:33,221 --> 00:02:37,090 SOMEPLACE WHERE WE CAN EXPRESS WHAT WE'RE FEELING NOW. 43 00:02:37,090 --> 00:02:38,926 GREAT. HOW ABOUT THE COUCH? 44 00:02:40,728 --> 00:02:42,263 THE COUCH. 45 00:02:44,532 --> 00:02:47,000 WHO SAID WE ALWAYS HAD TO BE SERIOUS? 46 00:02:47,000 --> 00:02:50,238 WILL YOU STOP JOKING? 47 00:02:50,238 --> 00:02:52,906 I--I WANT TO GO SOMEPLACE...INTIMATE, 48 00:02:52,906 --> 00:02:56,277 SOMEPLACE...ROMANTIC. 49 00:02:56,277 --> 00:02:58,279 OH, YEAH. OK. ALL RIGHT. 50 00:02:58,279 --> 00:03:00,281 ROMANTIC. YEAH. 51 00:03:00,281 --> 00:03:02,950 MY APARTMENT? 52 00:03:02,950 --> 00:03:04,352 YOUR APARTMENT? 53 00:03:04,352 --> 00:03:06,687 THERE I GO AGAIN, HUH? 54 00:03:06,687 --> 00:03:08,289 NO. I THINK THAT'S A GOOD IDEA. 55 00:03:08,289 --> 00:03:10,224 WELL, THAT'S WHY I SAID IT. 56 00:03:10,224 --> 00:03:13,661 YES. YOUR APARTMENT, THE PLACE YOU SPEND HALF YOUR LIFE, 57 00:03:13,661 --> 00:03:15,128 AND I'VE NEVER EVEN SEEN IT. 58 00:03:15,128 --> 00:03:16,497 IT SEEMS SO RIGHT. 59 00:03:16,497 --> 00:03:18,499 I THINK YOU'RE GONNA LIKE IT. 60 00:03:18,499 --> 00:03:21,302 I'LL GIVE YOU MY, UH... 61 00:03:21,302 --> 00:03:24,204 FAMOUS GUIDED TOUR... 62 00:03:24,204 --> 00:03:25,973 STARTING IN THE BEDROOM. 63 00:03:29,009 --> 00:03:30,778 AND ENDING IN HEAVEN. 64 00:03:40,187 --> 00:03:41,855 COME ON. 65 00:03:41,855 --> 00:03:42,990 OH, SAM. 66 00:03:42,990 --> 00:03:44,425 WHAT, WHAT? 67 00:03:44,425 --> 00:03:46,427 I'VE CHANGED MY MIND. 68 00:03:50,364 --> 00:03:54,134 NO, NO. I MEAN ABOUT YOUR APARTMENT. 69 00:03:54,134 --> 00:03:56,337 I'M SORRY. I KNOW YOU'RE GONNA THINK I'M OVERLY SENSITIVE, 70 00:03:56,337 --> 00:04:00,107 BUT, SAM, YOU'VE BEEN WITH A LOT OF WOMEN-- 71 00:04:00,107 --> 00:04:01,442 NO, I HAVE NOT. 72 00:04:01,442 --> 00:04:03,210 THERE HAVEN'T BEEN THAT MANY WOMEN. 73 00:04:03,210 --> 00:04:04,845 THAT GETS EXAGGERATED HERE IN THE BAR. 74 00:04:04,845 --> 00:04:07,180 THERE HAVEN'T BEEN THAT MANY, REALLY. 75 00:04:07,180 --> 00:04:09,249 HOW MANY HAVE THERE BEEN? 76 00:04:09,249 --> 00:04:10,718 WELL, I DON'T KNOW. 77 00:04:10,718 --> 00:04:12,620 MAYBE, UH...400. 78 00:04:12,620 --> 00:04:14,422 OHH! 79 00:04:14,422 --> 00:04:17,224 HONEYS, HONEYS. FOUR HONEYS. 80 00:04:17,224 --> 00:04:18,492 MAYBE THAT'S MORE THAN MY SHARE, 81 00:04:18,492 --> 00:04:19,760 BUT IT'S ALL BEHIND ME NOW. 82 00:04:19,760 --> 00:04:22,430 WELL, YOU SEE, THAT'S WHAT I MEAN. 83 00:04:22,430 --> 00:04:25,065 I WANT TO BE...SPECIAL. 84 00:04:25,065 --> 00:04:26,567 I WANT TO GO SOMEPLACE 85 00:04:26,567 --> 00:04:28,802 WHERE YOU'VE NEVER BEEN WITH ANY OTHER WOMAN. 86 00:04:28,802 --> 00:04:32,440 ALL RIGHT, OK, THAT'S EASY ENOUGH. 87 00:04:32,440 --> 00:04:35,108 UH, LIKE--LIKE WHERE? 88 00:04:35,108 --> 00:04:38,045 HOW ABOUT A HOTEL? 89 00:04:38,045 --> 00:04:39,913 OH, YEAH. OH. 90 00:04:39,913 --> 00:04:42,850 THAT'S GREAT, THAT'S GREAT. 91 00:04:42,850 --> 00:04:44,885 BUT ONE YOU'VE NEVER BEEN WITH ANYONE ELSE. 92 00:04:44,885 --> 00:04:46,554 WELL, ALL RIGHT. 93 00:04:48,756 --> 00:04:50,958 THAT'S EASY, THAT'S EASY. 94 00:04:53,394 --> 00:04:55,596 OK. HOTELS, HOTELS. 95 00:04:55,596 --> 00:04:57,598 HEY, THERE WE GO. 96 00:04:57,598 --> 00:05:00,634 NOPE. 97 00:05:00,634 --> 00:05:03,003 NOPE. 98 00:05:03,003 --> 00:05:04,738 WELL, I'LL BE DARNED. 99 00:05:05,873 --> 00:05:07,307 FORGET IT. 100 00:05:07,307 --> 00:05:09,076 COME ON. WE'RE BEING SILLY HERE. 101 00:05:09,076 --> 00:05:11,745 WHY DON'T WE-- WHY DON'T WE GO TO YOUR PLACE? 102 00:05:13,914 --> 00:05:16,850 WELL, I GUESS THAT COULD BE ALL RIGHT. 103 00:05:16,850 --> 00:05:17,818 OH, GREAT. 104 00:05:17,818 --> 00:05:21,389 OH, WAIT. SAM, IT'S SO FILTHY. 105 00:05:21,389 --> 00:05:23,123 OH, NO, NO, IT DOESN'T HAVE TO BE, 106 00:05:23,123 --> 00:05:25,058 NOT IF WE CARE ABOUT EACH OTHER. 107 00:05:31,999 --> 00:05:35,002 NO. I MEAN MY APARTMENT. 108 00:05:35,002 --> 00:05:36,937 I HAVEN'T STRAIGHTENED UP FOR DAYS. 109 00:05:36,937 --> 00:05:40,140 I DON'T CARE ABOUT THAT KIND OF THING. IT DOESN'T MATTER. 110 00:05:40,140 --> 00:05:41,575 AS LONG AS WE'RE TOGETHER, 111 00:05:41,575 --> 00:05:43,711 IT DOESN'T MATTER WHERE WE ARE. 112 00:05:43,711 --> 00:05:47,615 OH, SAM, THAT'S BEAUTIFUL. 113 00:05:47,615 --> 00:05:51,051 WE'RE NOT TALKING PIGSTY, ARE WE? 114 00:05:51,051 --> 00:05:53,487 NO, OF COURSE NOT. 115 00:05:53,487 --> 00:05:55,155 ALL RIGHT, THEN. ALL RIGHT, COME ON. 116 00:05:55,155 --> 00:05:57,090 OK. 117 00:05:57,090 --> 00:05:58,626 OH, BOY. 118 00:06:02,095 --> 00:06:04,765 SHE BETTER BE GREAT. 119 00:06:08,301 --> 00:06:09,870 I KNOW THAT YOU MUST BE CURIOUS 120 00:06:09,870 --> 00:06:13,106 ABOUT WHAT SAM AND I WERE TALKING ABOUT. 121 00:06:13,106 --> 00:06:15,809 WE WANT TO BE TOTALLY HONEST WITH YOU. 122 00:06:15,809 --> 00:06:17,478 UM... 123 00:06:20,581 --> 00:06:24,317 IT IS SAID THAT FOOLS RUSH IN 124 00:06:24,317 --> 00:06:26,520 WHERE WISE MEN FEAR TO TREAD, 125 00:06:26,520 --> 00:06:29,757 BUT THE HEART HAS A WISDOM OF ITS OWN. 126 00:06:29,757 --> 00:06:31,525 SAM AND I HAVE DECIDED 127 00:06:31,525 --> 00:06:35,463 TO TRAVERSE THE FALL LINE OF OUR ALONENESS. 128 00:06:39,433 --> 00:06:41,569 WHAT'S SHE TALKING ABOUT, SAMMY? 129 00:06:41,569 --> 00:06:43,837 I DON'T KNOW. UM... 130 00:06:43,837 --> 00:06:45,372 DOES THIS HAVE ANYTHING TO DO 131 00:06:45,372 --> 00:06:46,540 WITH WHAT WE WERE TALKING ABOUT IN THERE? 132 00:06:46,540 --> 00:06:48,341 OF COURSE. 133 00:06:48,341 --> 00:06:49,710 DIANE AND I DECIDED 134 00:06:49,710 --> 00:06:52,646 WE'RE GOING TO START MESSING AROUND. 135 00:06:52,646 --> 00:06:55,683 GREAT. THERE YOU GO. 136 00:06:55,683 --> 00:06:57,585 SO WE'LL SEE YOU ALL LATER. 137 00:06:57,585 --> 00:06:58,686 THERE YOU GO. 138 00:06:58,686 --> 00:07:00,353 YOU WANT A REFILL? 139 00:07:00,353 --> 00:07:02,022 WAIT, WAIT, WAIT. 140 00:07:02,022 --> 00:07:05,358 I FEEL DAMNED BY FAINT PRAISE. WHAT'S WRONG? 141 00:07:05,358 --> 00:07:06,560 WHAT DO YOU MEAN WHAT'S WRONG? 142 00:07:06,560 --> 00:07:08,028 NOTHING'S WRONG. NO. 143 00:07:09,897 --> 00:07:13,601 YOU DON'T SEEM VERY HAPPY ABOUT OUR ANNOUNCEMENT. 144 00:07:13,601 --> 00:07:17,104 WELL, DIANE, IT'S JUST KIND OF SUDDEN. 145 00:07:17,104 --> 00:07:18,572 SUDDEN. 146 00:07:18,572 --> 00:07:20,140 IT'S JUST HAPPENING KIND OF FAST. 147 00:07:20,140 --> 00:07:22,910 YEAH, WE WISH YOU ALL THE LUCK IN THE WORLD. 148 00:07:22,910 --> 00:07:25,045 YEAH. IT WON'T BE ENOUGH. 149 00:07:26,880 --> 00:07:28,949 OH, NO. NO. 150 00:07:28,949 --> 00:07:30,984 I KNOW WHAT YOU'RE THINKING. 151 00:07:30,984 --> 00:07:32,620 YOU'RE THINKING THAT SAM AND I 152 00:07:32,620 --> 00:07:35,122 HAVE DIFFERENT BACKGROUNDS, AMBITIONS, DREAMS. 153 00:07:35,122 --> 00:07:36,990 WELL, LET ME TELL YOU. 154 00:07:36,990 --> 00:07:39,960 WE HAVE ONE THING VERY MUCH IN COMMON. 155 00:07:39,960 --> 00:07:40,928 I GOT IT. 156 00:07:40,928 --> 00:07:43,030 THEY WERE BOTH BORN BRUNETTE. 157 00:07:46,233 --> 00:07:48,468 NO. 158 00:07:48,468 --> 00:07:49,937 WE HAVE A WILLINGNESS 159 00:07:49,937 --> 00:07:52,272 TO BE VULNERABLE TO ONE ANOTHER. 160 00:07:52,272 --> 00:07:53,641 I THINK I SEE A TRIP 161 00:07:53,641 --> 00:07:56,610 TO YE OLD LEASH AND LEATHER SHOP COMING. 162 00:08:01,348 --> 00:08:02,850 I AM SORRY 163 00:08:02,850 --> 00:08:04,718 THAT YOU'RE ALL SO CYNICAL 164 00:08:04,718 --> 00:08:06,887 THAT YOU CAN'T ACCEPT SAM AND ME. 165 00:08:06,887 --> 00:08:08,789 WELL, IT DOESN'T BOTHER US. 166 00:08:08,789 --> 00:08:10,591 WE BELIEVE IN US, RIGHT, SAM? 167 00:08:10,591 --> 00:08:12,626 YEAH. YOU BET. IT'S GOING TO BE GREAT. 168 00:08:12,626 --> 00:08:14,562 WE'LL HAVE A LOT FUN. 169 00:08:14,562 --> 00:08:16,029 I MAY HAVE TO WORK A LITTLE HARDER ON THIS ONE, 170 00:08:16,029 --> 00:08:17,598 BUT IT'S GONNA BE WORTH IT. 171 00:08:17,598 --> 00:08:19,466 THANK YOU, SAM. 172 00:08:19,466 --> 00:08:21,434 YOU'RE WELCOME. 173 00:08:21,434 --> 00:08:23,370 NOW IF YOU WILL EXCUSE US, 174 00:08:23,370 --> 00:08:25,673 WE ARE GOING TO GO OUT 175 00:08:25,673 --> 00:08:29,342 AND BEGIN OUR LIVES TOGETHER. 176 00:08:29,342 --> 00:08:31,845 THERE IS MORE IN HEAVEN AND EARTH 177 00:08:31,845 --> 00:08:34,181 THAN IS DREAMT OF IN YOUR BEER MUGS. 178 00:08:34,181 --> 00:08:35,816 WHAT DID YOU MEAN 179 00:08:35,816 --> 00:08:37,651 YOU'RE GONNA HAVE TO WORK A LITTLE HARDER ON THIS ONE? 180 00:08:37,651 --> 00:08:39,486 I SAID IT OFF THE TOP OF MY HEAD. 181 00:08:39,486 --> 00:08:41,955 I THINK IT MIGHT BE MISUNDERSTOOD. 182 00:08:54,001 --> 00:08:57,470 THANKS FOR PICKING THE FLOWERS FOR ME IN THE PARK. 183 00:08:57,470 --> 00:09:00,140 WELL, THANK YOU FOR PAYING THE FINE. 184 00:09:02,342 --> 00:09:03,811 WE MAKE A GOOD TEAM, HUH? 185 00:09:03,811 --> 00:09:06,413 SO WHAT DO YOU THINK OF MY PLACE? 186 00:09:06,413 --> 00:09:07,648 VERY NICE. 187 00:09:07,648 --> 00:09:10,217 IS THIS THE BEDROOM? 188 00:09:10,217 --> 00:09:13,687 NICE? I WANT YOU TO KNOW THAT I'M PUTTING A LOT OF ENERGY 189 00:09:13,687 --> 00:09:15,856 INTO THE DECORATING OF THIS PLACE. 190 00:09:15,856 --> 00:09:17,958 IT SHOWS. WHERE'S THE LIGHT? 191 00:09:17,958 --> 00:09:19,727 IT'S OVER BY THE BED. 192 00:09:19,727 --> 00:09:23,463 OH! I THINK I JUST STEPPED ON YOUR CAT. 193 00:09:23,463 --> 00:09:26,233 OH, MY GOD, I THINK I JUST KILLED IT. 194 00:09:26,233 --> 00:09:27,534 NO, MY MISTAKE. 195 00:09:27,534 --> 00:09:29,670 I JUST STEPPED ON YOUR GIRAFFE. 196 00:09:29,670 --> 00:09:32,105 OH, MR. JAMMERS. 197 00:09:35,208 --> 00:09:37,945 THIS PLACE IS LOUSY WITH STUFFED ANIMALS. 198 00:09:37,945 --> 00:09:40,280 THEY'RE NOT STUFFED ANIMALS. 199 00:09:40,280 --> 00:09:41,281 THEY'RE MY FRIENDS. 200 00:09:41,281 --> 00:09:42,549 LET ME INTRODUCE YOU. 201 00:09:42,549 --> 00:09:43,884 MR. JAMMERS YOU'VE MET. 202 00:09:43,884 --> 00:09:46,486 AND OVER HERE, WE HAVE FREDDY FROGBOTTOM. 203 00:09:46,486 --> 00:09:48,956 YOU NAMED ALL THESE SILLY THINGS? 204 00:09:48,956 --> 00:09:50,557 AH-AH! DON'T CALL THEM SILLY. 205 00:09:50,557 --> 00:09:54,261 MR. BUZZER WILL STING YOU. 206 00:09:54,261 --> 00:09:56,797 MR. BUZZER? DON'T TELL ME. LET ME GUESS. 207 00:09:56,797 --> 00:09:58,498 THAT MUST BE THE BEE, RIGHT? 208 00:09:58,498 --> 00:10:01,201 BOY, THIS IS DEFINITELY WEIRD, DIANE. 209 00:10:04,905 --> 00:10:08,508 THAT IS EXACTLY WHAT'S WRONG WITH YOU. 210 00:10:08,508 --> 00:10:10,310 WHAT'S WRONG WITH ME? 211 00:10:10,310 --> 00:10:11,845 YES. 212 00:10:11,845 --> 00:10:13,213 I SHOULD HAVE KNOWN 213 00:10:13,213 --> 00:10:15,716 YOU WOULDN'T HAVE ANY IMAGINATION ABOUT THIS, 214 00:10:15,716 --> 00:10:17,284 NO SENSE OF WHIMSY. 215 00:10:17,284 --> 00:10:18,786 YOU'RE SO EARTHBOUND, 216 00:10:18,786 --> 00:10:20,754 SO UNINSPIRED. 217 00:10:20,754 --> 00:10:23,757 CAN'T BELIEVE YOU'RE MAKING SUCH A BIG DEAL OUT OF THIS. 218 00:10:25,125 --> 00:10:26,593 SAM MALONE... 219 00:10:26,593 --> 00:10:28,428 THOSE ANIMALS HAPPEN TO BE A PART OF ME. 220 00:10:28,428 --> 00:10:30,497 NOW, WHY CAN'T YOU INDULGE THAT WITHOUT-- 221 00:10:30,497 --> 00:10:32,532 WHAT ARE YOU DOING? 222 00:10:32,532 --> 00:10:35,268 I'M TAKING MY PANTS OFF. 223 00:10:35,268 --> 00:10:36,770 WHY? 224 00:10:36,770 --> 00:10:39,372 WELL, NOT TO GIVE MR. BUZZER A TARGET. 225 00:10:41,241 --> 00:10:43,510 WE'RE ARGUING. WE'RE HAVING A FIGHT. 226 00:10:43,510 --> 00:10:46,146 HOW COULD YOU TAKE YOUR PANTS OFF 227 00:10:46,146 --> 00:10:47,514 WHEN WE'RE HAVING A FIGHT? 228 00:10:47,514 --> 00:10:49,116 IT'S NOT GONNA LAST ALL NIGHT. 229 00:10:49,116 --> 00:10:51,885 I DON'T WANT TO BE OVERDRESSED WHEN IT ENDS. 230 00:10:51,885 --> 00:10:53,921 GET OUT OF HERE. GET OUT OF MY APARTMENT. 231 00:10:53,921 --> 00:10:55,422 YOU WANT ME TO LEAVE? 232 00:10:55,422 --> 00:10:56,957 I DEMAND THAT YOU LEAVE. 233 00:10:56,957 --> 00:10:59,026 WELL, LET ME JUST TELL YOU A LITTLE RULE I HAVE. 234 00:10:59,026 --> 00:11:00,761 MR. MALONE TAKES HIS PANTS OFF, 235 00:11:00,761 --> 00:11:02,395 HE DOESN'T PUT THEM BACK ON AGAIN 236 00:11:02,395 --> 00:11:04,297 UNTIL HE FINISHES BUSINESS. 237 00:11:04,297 --> 00:11:05,532 BET ME! 238 00:11:05,532 --> 00:11:08,035 DIANE, WOULD YOU PLEASE--- 239 00:11:08,035 --> 00:11:09,536 WOULD YOU GIVE ME A BREAK 240 00:11:09,536 --> 00:11:11,972 AND LET ME PUT MY-- 241 00:11:11,972 --> 00:11:13,807 YOU ARE DESPICABLE. 242 00:11:13,807 --> 00:11:17,077 I NEVER WANT TO LOOK AT YOUR FAT, UGLY FACE AGAIN. 243 00:11:17,077 --> 00:11:18,378 GET OUT. 244 00:11:18,378 --> 00:11:21,782 COME ON, I'M LOSING THE MOOD HERE, DIANE. 245 00:11:24,918 --> 00:11:27,620 YOU'LL LOSE A LOT MORE THAN THAT. 246 00:11:27,620 --> 00:11:29,890 WAIT A SECOND. 247 00:11:29,890 --> 00:11:31,391 YOU WANT TO KNOW THE TRUTH? 248 00:11:31,391 --> 00:11:34,661 IT WASN'T 4 WOMEN. IT WAS 400 WOMEN, EASY. 249 00:11:34,661 --> 00:11:36,196 THEY'D HAVE TO BE. 250 00:11:51,144 --> 00:11:52,846 YOU KNOW WHAT I WAS JUST THINKING. 251 00:11:52,846 --> 00:11:55,515 MOST OF THE GUYS I BROKE INTO THE MAJORS WITH 252 00:11:55,515 --> 00:11:57,717 ARE ALL GONE NOW. 253 00:11:57,717 --> 00:12:00,353 YOU MEAN GONE TO THE GREAT BEYOND, COACH? 254 00:12:00,353 --> 00:12:02,790 NO, ALAN. DEAD. 255 00:12:02,790 --> 00:12:04,691 NO, I--I-- 256 00:12:04,691 --> 00:12:06,393 I CAN'T UNDERSTAND IT. 257 00:12:06,393 --> 00:12:08,028 YOU KNOW, YOU WONDER. 258 00:12:08,028 --> 00:12:10,630 YOU'RE BORN. YOU GROW UP. YOU DIE. 259 00:12:10,630 --> 00:12:13,000 IS THAT THE END? IS THAT IT? 260 00:12:13,000 --> 00:12:17,504 THERE'S VARIOUS THEORIES ABOUT AN AFTERLIFE, COACH. 261 00:12:17,504 --> 00:12:20,941 YOU KNOW, MILLIONS BELIEVE IN REINCARNATION. 262 00:12:20,941 --> 00:12:24,611 YOU MEAN WHEN YOU COME BACK AS A CHICKEN? 263 00:12:24,611 --> 00:12:28,081 NOT NECESSARILY AS A CHICKEN, COACH. 264 00:12:28,081 --> 00:12:30,818 THE HINDUS BELIEVE THAT WHAT YOU COME BACK AS 265 00:12:30,818 --> 00:12:32,786 DEPENDS ON YOUR BEHAVIOR IN THIS LIFE. 266 00:12:32,786 --> 00:12:34,021 YOU KNOW, IF YOU LED A GOOD LIFE, 267 00:12:34,021 --> 00:12:36,857 YOU'LL COME BACK IN AN ELEVATED STATE. 268 00:12:36,857 --> 00:12:38,992 LIKE COLORADO. 269 00:12:40,994 --> 00:12:44,331 NO, COACH, MORE LIKE A KING OR A PRINCE. 270 00:12:44,331 --> 00:12:47,868 CONVERSELY, UH, IF YOU'VE NOT LED A GOOD LIFE, 271 00:12:47,868 --> 00:12:50,670 YOU'LL COME BACK IN A MORE LOWLY CONDITION. 272 00:12:50,670 --> 00:12:54,307 LAST TIME OUT, I MUST HAVE MADE A REAL ASS OUT OF MYSELF. 273 00:12:56,376 --> 00:12:59,212 I FIGURE IF YOU'RE DEAD, YOU'RE DEAD, 274 00:12:59,212 --> 00:13:00,713 AND THAT'S WHAT IT SHOULD BE. 275 00:13:00,713 --> 00:13:03,516 JUST THE IDEA OF LIVING FOREVER DOESN'T APPEAL TO ME. 276 00:13:03,516 --> 00:13:05,518 YEAH, I CAN SEE WHY, PAUL. 277 00:13:09,589 --> 00:13:11,324 OH, HEY, SAM. 278 00:13:11,324 --> 00:13:14,327 SAMMY, WHAT DO YOU THINK ABOUT DEATH, HUH? 279 00:13:14,327 --> 00:13:16,363 TOO GOOD FOR HER. 280 00:13:16,363 --> 00:13:19,532 I DON'T WANT TO TALK TO ANYONE. I MEAN THAT. 281 00:13:20,901 --> 00:13:22,035 I KNEW IT. 282 00:13:22,035 --> 00:13:24,838 YEAH, WE TOLD HIM SO. HAD TO HAPPEN. 283 00:13:24,838 --> 00:13:26,573 HE WOULDN'T LISTEN TO US. 284 00:13:26,573 --> 00:13:29,576 ...WILL YA, NORM, THERE'S SOMETHING WRONG WITH SAM AND DIANE. 285 00:13:29,576 --> 00:13:32,045 COACH, WE'RE TALKING ABOUT SAM AND DIANE. 286 00:13:32,045 --> 00:13:34,614 OH, WE ARE? WELL, THAT'S BETTER. 287 00:13:34,614 --> 00:13:36,016 IT'S NONE OF OUR BUSINESS. 288 00:13:36,016 --> 00:13:37,417 I THINK WE OUGHT TO DO SOMETHING ABOUT IT. 289 00:13:37,417 --> 00:13:39,119 WE DIDN'T EXACTLY GIVE THEM OUR BLESSINGS 290 00:13:39,119 --> 00:13:40,954 WHEN THEY LEFT HERE. WHEN YOU GET RIGHT DOWN TO IT, 291 00:13:40,954 --> 00:13:42,355 EVERYBODY DESERVES A CHANCE. 292 00:13:42,355 --> 00:13:44,925 I THINK WE OWE SAM AN APOLOGY. 293 00:13:44,925 --> 00:13:46,593 I'M GONNA HAVE A CHAT WITH SAM. 294 00:13:46,593 --> 00:13:49,629 HE MADE IT CLEAR THAT HE DOESN'T WANT TO BE DISTURBED. 295 00:13:49,629 --> 00:13:50,998 HE DIDN'T MEAN ME. 296 00:13:50,998 --> 00:13:53,433 SAMMY AND I ARE PALS. WE'RE TIGHT. 297 00:13:55,735 --> 00:13:58,071 SAMMY, NORM. 298 00:13:58,071 --> 00:14:00,440 GET THE HELL OUT OF HERE! 299 00:14:00,440 --> 00:14:03,043 YOU BET, BUDDY. 300 00:14:03,043 --> 00:14:05,845 THAT WAS INSPIRING, NORM. 301 00:14:05,845 --> 00:14:07,614 I'M SORRY. 302 00:14:07,614 --> 00:14:10,650 WE'RE SORRY. WE'RE ALL JUST A LITTLE SORRY ABOUT WHAT WE SAID 303 00:14:10,650 --> 00:14:11,952 ABOUT YOU AND DIANE. 304 00:14:11,952 --> 00:14:14,421 YOU'RE NO WORSE A MATCH THAN ANYBODY ELSE. 305 00:14:14,421 --> 00:14:16,523 ANY TWO PEOPLE ARE GONNA BE A LONG SHOT. 306 00:14:16,523 --> 00:14:19,492 YEAH, RIGHT, SAMMY, YOU KNOW, LONG SHOTS COME IN SOMETIME. 307 00:14:19,492 --> 00:14:20,994 MAYBE THIS ONE WILL. 308 00:14:20,994 --> 00:14:23,530 NO, NO, NO. YOU GUYS WERE RIGHT. 309 00:14:23,530 --> 00:14:25,598 I MUST HAVE LOST MY MIND THERE FOR A MINUTE. 310 00:14:25,598 --> 00:14:30,370 TELL YOU, THOUGH. THE OLD SAM MALONE IS BACK, BOYS. READY FOR ACTION. 311 00:14:30,370 --> 00:14:32,572 I'M GONNA GRAB THE FIRST WOMAN THAT COMES BY 312 00:14:32,572 --> 00:14:34,474 AND I'M GONNA GO CRAZY. 313 00:14:38,211 --> 00:14:41,348 YEAH, CARLA, WHAT IS IT? 314 00:14:41,348 --> 00:14:43,483 NOTHING. 315 00:14:43,483 --> 00:14:45,018 YEAH, IT FEELS GOOD 316 00:14:45,018 --> 00:14:47,254 TO BE FINALLY... RID OF HER. HA! 317 00:14:47,254 --> 00:14:49,022 COACH, LET ME HAVE A SODA HERE. 318 00:14:49,022 --> 00:14:50,490 I TELL YOU, THINGS ARE GONNA BE 319 00:14:50,490 --> 00:14:52,192 A LOT MORE THE WAY THEY USED TO BE AROUND HERE 320 00:14:52,192 --> 00:14:54,594 THAN THEY EVER WERE. GLAD TO HEAR YOU SAY THAT, SAM. 321 00:14:54,594 --> 00:14:56,496 YOU'RE GONNA BE THE BETTER MAN FOR IT. 322 00:14:56,496 --> 00:14:58,966 HEY, COACH, YOU'RE NOT BUYING THIS, ARE YOU? 323 00:14:58,966 --> 00:15:01,935 BUYING IT? CARLA, I'M NOT EVEN FOLLOWING IT. 324 00:15:04,671 --> 00:15:06,573 HEY, CARLA, I MEAN IT. 325 00:15:06,573 --> 00:15:09,309 OH, YEAH, I BELIEVE YOU, SAMMY, I DO. 326 00:15:09,309 --> 00:15:12,079 BUT YOU KNOW, I COULD TELL YOU HOW TO GET DIANE BACK. 327 00:15:12,079 --> 00:15:13,880 I'LL TELL YOU WHAT. 328 00:15:13,880 --> 00:15:15,915 IF YOU'RE INTERESTED, 329 00:15:15,915 --> 00:15:18,285 I'LL BE AT THE END OF THE BAR HERE. 330 00:15:30,697 --> 00:15:33,933 WELL, IT'S GOT TO BE GOOD FOR A LAUGH. 331 00:15:41,841 --> 00:15:44,511 HOW? 332 00:15:44,511 --> 00:15:47,514 WOMEN HAVE ALWAYS COME PRETTY EASY TO YOU, SAMMY. 333 00:15:47,514 --> 00:15:49,549 NOW YOU HAVE FINALLY GOT YOURSELF A TOUGHIE. 334 00:15:49,549 --> 00:15:51,951 LET ME TELL YOU HOW TO HANDLE HER. 335 00:15:51,951 --> 00:15:55,155 NOW, I DON'T CARE WHAT WE WOMEN SAY 336 00:15:55,155 --> 00:15:56,556 WHEN WE GET DRESSED UP 337 00:15:56,556 --> 00:16:00,193 AND GO ON THE PHIL DONAHUE SHOW. 338 00:16:00,193 --> 00:16:04,031 EVERY WOMAN WANTS TO BE CONTROLLED, 339 00:16:04,031 --> 00:16:06,033 EVEN YOUR MISS EGGHEAD THERE. 340 00:16:06,033 --> 00:16:08,068 WOMEN LIKE POWER, SAMMY, 341 00:16:08,068 --> 00:16:11,071 RAW, NAKED POWER. 342 00:16:11,071 --> 00:16:12,872 THE REASON I STAYED WITH NICK SO LONG 343 00:16:12,872 --> 00:16:15,042 WAS BECAUSE HE HAD POWER. 344 00:16:15,042 --> 00:16:17,377 SURE, HE WAS A GENTLEMEN, SOMETIMES, 345 00:16:17,377 --> 00:16:21,281 LIKE HE WOULD TAKE ME OUT TO A ROMANTIC DINNER 346 00:16:21,281 --> 00:16:23,683 AT A FANCY RESTAURANT. 347 00:16:23,683 --> 00:16:27,554 THEY'D CALL OUR NUMBER, AND HE'D GO GET IT. 348 00:16:31,358 --> 00:16:34,061 BUT ONCE WE GOT BEHIND THAT BEDROOM DOOR, SAMMY, 349 00:16:34,061 --> 00:16:35,862 HE CALLED THE SHOTS. 350 00:16:35,862 --> 00:16:37,430 SHE'S RIGHT, SAM. 351 00:16:37,430 --> 00:16:39,499 YOU KNOW, ONE TIME I HAD TO GET TOUGH WITH VERA, 352 00:16:39,499 --> 00:16:41,301 LAY DOWN THE LAW, 353 00:16:41,301 --> 00:16:43,536 NEXT NIGHT I CAME HOME, SHE WAS WAITING FOR ME 354 00:16:43,536 --> 00:16:46,473 WEARING NOTHING BUT A SARAN WRAP BIKINI. 355 00:16:48,375 --> 00:16:51,211 I HAVEN'T BEEN ABLE TO LOOK AT A SANDWICH SINCE. 356 00:16:56,249 --> 00:16:59,386 YOU KNOW, YOU'RE RIGHT. 357 00:16:59,386 --> 00:17:01,821 I MEAN, I HAVE LET HER HAVE HER WAY 358 00:17:01,821 --> 00:17:04,557 EVERY STEP IN THIS RELATIONSHIP. 359 00:17:04,557 --> 00:17:07,194 SHE IS, SHE IS, SHE'S LEADING ME AROUND BY THE NOSE. 360 00:17:07,194 --> 00:17:08,895 I TELL YOU, SHE'S NOT GONNA DO IT ANYMORE. 361 00:17:08,895 --> 00:17:10,297 SHE'S PICKED THE WRONG GUY 362 00:17:10,297 --> 00:17:11,731 TO HAVE A POWER PLAY WITH. 363 00:17:11,731 --> 00:17:13,133 SHE'LL LOVE IT. 364 00:17:13,133 --> 00:17:14,501 YOU KNOW WHAT I'M GONNA DO? 365 00:17:14,501 --> 00:17:16,169 I'M GONNA GO OVER THERE AND I'M GONNA TELL 366 00:17:16,169 --> 00:17:18,138 OUR LITTLE MISS CHAMBERS THERE'S A TIME TO PUT UP 367 00:17:18,138 --> 00:17:19,706 AND THERE'S A TIME TO SHUT UP. 368 00:17:19,706 --> 00:17:21,174 YEAH! 369 00:17:21,174 --> 00:17:23,910 AND THIS IS THE TIME FOR HER TO PUT UP AND SHUT UP. 370 00:17:23,910 --> 00:17:25,778 SHE'LL HAVE HIM FOR BREAKFAST. 371 00:17:25,778 --> 00:17:26,979 HE'S A GONER. 372 00:17:26,979 --> 00:17:28,748 HE'S DEAD IN THE WATER. 373 00:17:30,950 --> 00:17:33,653 SO TELL ME, WHERE DID YOU GET A TAN LIKE THAT? 374 00:17:33,653 --> 00:17:35,522 WERE YOU IN THE SUN OR SOMETHING? 375 00:17:35,522 --> 00:17:38,024 MY TAN? WHAT ARE YOU TALKING ABOUT? LOOK AT YOUR TAN. 376 00:17:38,024 --> 00:17:39,792 I LOVE THE SUN. YOU KNOW, 377 00:17:39,792 --> 00:17:41,661 I COULDN'T LIVE WHERE THERE WASN'T ANY SUN. 378 00:17:41,661 --> 00:17:44,197 OH, I KNOW. I DON'T KNOW HOW PRISONERS STAND IT. 379 00:17:44,197 --> 00:17:45,565 [KNOCK ON DOOR] 380 00:17:45,565 --> 00:17:46,866 DIANE, OPEN UP. 381 00:17:46,866 --> 00:17:49,269 GO AWAY, SAM. 382 00:17:49,269 --> 00:17:51,871 I'M MEDITATING. 383 00:17:51,871 --> 00:17:53,373 OPEN THE DOOR, DIANE. 384 00:17:53,373 --> 00:17:55,675 I HAVE SOMETHING I WANT TO SAY. 385 00:18:02,449 --> 00:18:04,184 OH, SAM, HOW MUCH MORE EVIDENCE DO YOU NEED 386 00:18:04,184 --> 00:18:06,386 THAT WE WERE NOT MADE IN HEAVEN? 387 00:18:06,386 --> 00:18:08,888 WE TURN INTO IDIOTS IN EACH OTHER'S COMPANY. 388 00:18:08,888 --> 00:18:11,958 THE DIFFERENCE IN YOUR CASE IS BARELY PERCEPTIBLE. 389 00:18:11,958 --> 00:18:14,327 BUT IT'S STARTING TO BOTHER ME. 390 00:18:14,327 --> 00:18:16,229 DIANE, OPEN THE DOOR! 391 00:18:16,229 --> 00:18:17,664 THIS IS THE LAST TIME I'M GONNA TELL YOU. 392 00:18:17,664 --> 00:18:19,366 WELL, WHO THE HELL DO YOU THINK YOU ARE? 393 00:18:19,366 --> 00:18:22,202 I'M SAM MALONE, AND THAT WAS YOUR LAST WARNING. 394 00:18:22,202 --> 00:18:23,336 [THUMP] 395 00:18:23,336 --> 00:18:24,904 WHAT ARE YOU DOING? 396 00:18:24,904 --> 00:18:25,905 [THUMP] 397 00:18:25,905 --> 00:18:27,674 SAM, STOP IT. 398 00:18:33,180 --> 00:18:34,214 WELL, NOW YOU'VE DONE IT. 399 00:18:34,214 --> 00:18:35,882 UH-HUH. 400 00:18:35,882 --> 00:18:37,950 YES, YOU BROKE MY DOOR. YOU'RE GONNA PAY FOR THAT, APE. 401 00:18:37,950 --> 00:18:39,386 APE? 402 00:18:39,386 --> 00:18:42,121 OH, OH, I LIKE THAT. YEAH, I LIKE THAT. 403 00:18:42,121 --> 00:18:43,423 APE. YOU KNOW, 404 00:18:43,423 --> 00:18:46,859 YOU ARE GOING TO PAY FOR A LOT OF THINGS. 405 00:18:53,333 --> 00:18:57,570 NOW, GET IN THAT BEDROOM, WOMAN. 406 00:19:03,476 --> 00:19:05,412 OK. 407 00:19:08,781 --> 00:19:10,883 SAM. 408 00:19:10,883 --> 00:19:12,585 WOULD YOU GIVE ME A MINUTE 409 00:19:12,585 --> 00:19:16,823 TO SLIP INTO SOMETHING FLIMSY? 410 00:19:16,823 --> 00:19:19,158 YEAH, SURE. 411 00:19:28,134 --> 00:19:30,603 [MUFFLED VOICE] 412 00:19:32,205 --> 00:19:34,841 DIANE? 413 00:19:34,841 --> 00:19:36,409 YES? 414 00:19:36,409 --> 00:19:39,379 YOU TALKING TO SOMEBODY IN THERE? 415 00:19:39,379 --> 00:19:42,549 OH, I'M ON THE PHONE, SAM. JUST A SECOND. 416 00:19:44,484 --> 00:19:47,720 YOU'RE MAKING A TELEPHONE CALL? 417 00:19:47,720 --> 00:19:49,422 WHO DID YOU CALL? 418 00:19:49,422 --> 00:19:50,857 I WAS CALLING THE POLICE. 419 00:19:50,857 --> 00:19:53,626 WOULD YOU LIKE SOME COFFEE WHILE WE WAIT? 420 00:19:57,497 --> 00:19:59,932 YOU WERE CALLING THE POLICE? WHY? 421 00:19:59,932 --> 00:20:02,302 IF YOU'RE GONNA ACT LIKE A MARAUDING HUN, 422 00:20:02,302 --> 00:20:04,304 YOU HAVE TO EXPECT TO BE TREATED LIKE ONE. 423 00:20:04,304 --> 00:20:05,738 YOU TAKE CREAM, RIGHT? 424 00:20:05,738 --> 00:20:07,740 YEAH. YEAH, BUT-- NO, NO, NO. 425 00:20:07,740 --> 00:20:09,309 WHAT--WHAT-- 426 00:20:09,309 --> 00:20:10,677 WAIT A MINUTE HERE. 427 00:20:10,677 --> 00:20:13,313 ARE YOU SERIOUS? YOU CALLED THE COPS ON ME? 428 00:20:13,313 --> 00:20:15,114 WELL, YES, I'M COMPLETELY SERIOUS. 429 00:20:15,114 --> 00:20:17,617 I'VE GOT FRESH GROUND, BUT I THINK IT MIGHT TAKE A LITTLE TIME. 430 00:20:17,617 --> 00:20:19,752 THEY SAID THEY'D BE RIGHT OVER. 431 00:20:19,752 --> 00:20:22,322 NO. HEY, COME ON, WAIT A SECOND. 432 00:20:22,322 --> 00:20:25,625 I'M NOT--I'M NOT DOING ANYTHING HERE. 433 00:20:25,625 --> 00:20:27,960 SAM, YOU--YOU BROKE INTO MY APARTMENT. 434 00:20:27,960 --> 00:20:29,462 I HAVE THE EVIDENCE. 435 00:20:31,364 --> 00:20:33,232 YOU KNOW, YOU... 436 00:20:33,232 --> 00:20:34,667 YOU'RE A LOON. THAT'S WHAT YOU ARE. 437 00:20:34,667 --> 00:20:37,304 I'M GETTING THE HELL OUT OF HERE. 438 00:20:37,304 --> 00:20:39,772 OH, YOU HAVE TO RUN, HUH? 439 00:20:39,772 --> 00:20:44,344 WELL, I'LL JUST CALL THE POLICE AND GIVE THEM YOUR ADDRESS. 440 00:20:44,344 --> 00:20:47,380 YOU MAKE ME SO MAD SOMETIMES. 441 00:20:47,380 --> 00:20:49,649 I'D LIKE TO TAKE YOUR FACE AND-- 442 00:20:49,649 --> 00:20:51,584 EXCUSE ME. 443 00:20:51,584 --> 00:20:53,052 BE VERY CAREFUL. WHAT YOU SAY. 444 00:20:53,052 --> 00:20:54,287 IT COULD BE USED AGAINST YOU 445 00:20:54,287 --> 00:20:55,955 IN A COURT OF LAW. 446 00:20:57,457 --> 00:20:59,526 SO WHAT'S THE FINAL VERDICT ON THE COFFEE? 447 00:21:01,494 --> 00:21:05,197 WHAT--WHAT ARE YOU DOING TO ME, DIANE? 448 00:21:05,197 --> 00:21:07,700 I'M LOSING MY MIND HERE. 449 00:21:07,700 --> 00:21:10,169 THE FIRST TIME I SAW YOU, I SAID TO MYSELF, 450 00:21:10,169 --> 00:21:13,840 "NOW, THAT COULD BE THE WOMAN WHO'S GONNA MAKE ME HAPPY FOR THE REST OF MY LIFE." 451 00:21:13,840 --> 00:21:18,745 NOW I'D BE HAPPY JUST TO STAY OUT OF JAIL. 452 00:21:18,745 --> 00:21:22,349 YOU MAKE ME SORRY I WAS EVER BORN. 453 00:21:22,349 --> 00:21:24,283 OH, GOD. 454 00:21:24,283 --> 00:21:26,285 SAM, I KNOW HOW YOU FEEL. 455 00:21:28,388 --> 00:21:30,590 DON'T LET THEM TAKE ME AWAY, HUH? 456 00:21:32,392 --> 00:21:35,628 SAM, I THINK THE IMPORTANT THING HERE 457 00:21:35,628 --> 00:21:38,531 IS THAT WE BOTH LEARNED SOMETHING TONIGHT. 458 00:21:38,531 --> 00:21:42,402 YOU'VE LEARNED THAT VIOLENCE AND HOSTILITY 459 00:21:42,402 --> 00:21:45,271 HAVE NO PLACE IN A ROMANTIC RELATIONSHIP. 460 00:21:45,271 --> 00:21:47,774 NO, NO PLACE AT ALL. NO PLACE AT ALL. 461 00:21:47,774 --> 00:21:50,443 AND... 462 00:21:50,443 --> 00:21:52,412 I'VE DISCOVERED SOMETHING, TOO. 463 00:21:52,412 --> 00:21:54,881 OH, WHAT? 464 00:21:54,881 --> 00:21:56,916 I LIKE THE LIFT PART. 465 00:22:01,421 --> 00:22:03,990 I LIKE IT A LOT. 466 00:22:19,238 --> 00:22:20,907 YOU KNOW... 467 00:22:20,907 --> 00:22:23,810 YOU'VE MADE MY LIFE A LIVING HELL. 468 00:22:23,810 --> 00:22:27,246 I DIDN'T WANT YOU TO THINK I WAS EASY. 469 00:22:27,246 --> 00:22:28,381 OH. 470 00:22:28,381 --> 00:22:29,649 OH, GOD. 471 00:22:29,649 --> 00:22:31,451 OH. 472 00:22:34,887 --> 00:22:37,724 WHY DON'T WE JUST KICK THESE THINGS OFF THE BED? 473 00:22:37,724 --> 00:22:40,326 WHY DON'T YOU PUT THEM IN THE OTHER ROOM? OH, COME ON. 474 00:22:40,326 --> 00:22:41,961 I'LL BE LESS INHIBITED 475 00:22:41,961 --> 00:22:44,230 IF THEY'RE IN THE OTHER ROOM. OH, OK, YEAH. 476 00:22:44,230 --> 00:22:45,898 YEAH. OK, NOW, BE VERY CAREFUL 477 00:22:45,898 --> 00:22:49,101 BECAUSE SOME OF THEM ARE OLD AND SENSITIVE. 478 00:22:51,270 --> 00:22:53,973 DON'T YOU THINK MAYBE YOU OUGHT TO CALL THE COPS OFF? 479 00:22:53,973 --> 00:22:57,644 OH, SILLY SAM, I NEVER CALLED THE POLICE. 480 00:23:11,758 --> 00:23:15,728 SAM, WILL YOU MAKE SURE THAT GARY GORILLA AND MR. JAMMERS 481 00:23:15,728 --> 00:23:19,265 AREN'T NEXT TO EACH OTHER. THEY DON'T GET ALONG. 482 00:23:19,265 --> 00:23:21,100 NOT TO WORRY. 483 00:23:21,100 --> 00:23:22,902 THEY'RE A MILE APART.